Anselm Kiefer : Early Works

Anselm Kiefer : Early WorksThe companion book to a major exhibition in the Ashmolean Museum on the early work of internationally acclaimed German artist Anselm Kiefer. This richly illustrated book focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation. Anselm Kiefer: Early Works is the first institutional show and publication in the UK dedicated to Kiefers early practice. The book

The companion book to a major exhibition in the Ashmolean Museum on the early work of internationally acclaimed German artist Anselm Kiefer.

This richly illustrated book focuses on his paintings, drawings, photographs and artist books created between 1969 and 1982, in the private collections of the Hall Art Foundation. Anselm Kiefer: Early Works is the first institutional show and publication in the UK dedicated to Kiefer’s early practice.

The book introduces themes, subjects and styles that have become signature to Kiefer’s work, while providing a more intimate and complementary context for his large-scale installations that he is best known for today. The early works are accompanied by three recent paintings from the artist’s own collections and White Cube, chosen by the artist himself. Art historians, artists, curators and experts of Kiefer’s art from Germany, Austria, Belgium, Britain and the US have contributed 46 original texts on individual works, organised in a chronological structure.

An illustrated chronology at the end of the book compiled by Stephanie Biron from the Hall Art Foundation provides an overview of the artist’s early practice and life, to contextualise the works. The book begins with Kiefer’s iconic Occupations and Heroische Sinnbilder series, created in 1969 and 1970, which Kiefer views as his first serious works. Kiefer was among the first generation of German post-war artists to directly confront the country’s troubled past and identity.

Full of complex references to German socio-political history but also to culture, literature and his personal life, Kiefer’s early works carry a unique iconography, linking classic ideas of great art with a distinctive understanding of concrete artistic materiality. The landscapes in his watercolours are historically charged; hand-written words on paintings are closely linked with poetry well known to most German viewers; motifs and symbols point at Nazi ideologies and a collective feeling of guilt.

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