"New York: The New Art Scene" 1967 MULAS, Ugo & SOLOMON, Alan
SKU: 59160985264

"New York: The New Art Scene" 1967 MULAS, Ugo & SOLOMON, Alan

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"New York: The New Art Scene" 1967 MULAS, Ugo & SOLOMON, AlanMULAS, Ugo [photograph by] SOLOMON, Alan [text by] [341] pp. Holt, Rinehart and Winston 1967 First Edition 13 1 4" x 10" VG VG Scroll Down for (18) Additional Scans: Groundbreaking behind the scenes look into the New York art scene of the 1960s. The New Art Scene "captures the art world at one of its most volatile and vivid peaks [and] is peppered with terrifically dashing portraits" (Roth 101). FIRST EDITION of Ugo Mulas's classic photographic study

MULAS, Ugo [photograph by]

SOLOMON, Alan [text by]

[341] pp.

Holt, Rinehart and Winston

1967

First Edition

13 1/4" x 10"

VG/ VG

Scroll Down for (18) Additional Scans:

Groundbreaking behind-the-scenes look into the New York art scene of the 1960s.

The New Art Scene "captures the art world at one of its most volatile and vivid peaks [and] is peppered with terrifically dashing portraits" (Roth 101).

FIRST EDITION of Ugo Mulas's classic photographic study of the vibrant New York art scene in the 1960's. Illustrated with over 500 photographs of major artists including Roy Lichtenstein, Jasper Johns, Marcel Duchamp, Andy Warhol, Robert Rauschenberg, and many others.

"Inspired by the strong American presence at the 1964 Venice Biennale, the Italian photographer Ugo Mulas made three extended visits to New York over the following years. The result [is this] massive, handsomely designed volume [that] captures the art world at one of its most volatile and vivid peaks...[Mulas] was ideally suited to infiltrate that scene as a sympathetic and unobtrusive observer...With more than 500 photos reproduced in heavily inked, knockout black-and-white, the book has a marvelous scope. Its arresting cover image—a pair of New York cops confronting a gaggle of bohemians at a party in Andy Warhol's Factory—isn't typical, but it suggests something of the scene's exhilaration and notoriety..." (Vince Aletti; Roth 101).

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SKU: 59160985264

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In law there is always another way
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I finished this book having completed all but one course for my law degree. It is a goldmine of techniques and outlines the modus operandi of how Judges and Lawyers ideally operate.
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It’s very wordy and could be a lot more concise and be even more effective. “Getting to maybe” is not an exercise in dissertations but finding the right points to create an effective argument. There are better resources out there.
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I was excited about this book. Many law-related blogs and forums highly recommended this book. It's a "must read" for law students, they said. I was angry when I read the introduction. I was angrier when I began reading the chapters. What happened to brevity? Law students are already swamped with course readings. Why write a book intended to be read by law students in such a long and voluminous way? Much of the text can be removed. "Get to the point," I found myself telling the author as I read page after page. I hated it. It is the rare law student who will pick up this book for its narrative value. The typical law student will pick this book for its value on navigating through law school exams, not for its story-telling. Yet that student will be left disappointed. I wish the author would have considered writing a "Get to the Point" book, which would serve as a shorter version of 'Getting to Maybe.' Perhaps it is not too late. "Get to the Point" could serve as an alternative or accompanying version, maybe? I ask that the author considers this.
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