Tjanting in Sabine

Tjanting in SabineNamed for the tjantingthe copper tool used in batik tulisthis piece translates the flow of wax into measured lines and controlled spacing. Every stroke is intentional: some taper thin, others swell like wax pooling, all arranged with the discipline of a botanical register. The central field is composed of upright specimens: lilies, ranunculus, snowdrops, and clustered sprigs, each set with spacing that allows clarity when folded. Smaller florals and

Named for the tjanting—the copper tool used in batik tulis—this piece translates the flow of wax into measured lines and controlled spacing. Every stroke is intentional: some taper thin, others swell like wax pooling, all arranged with the discipline of a botanical register.

The central field is composed of upright specimens: lilies, ranunculus, snowdrops, and clustered sprigs, each set with spacing that allows clarity when folded. Smaller florals and leaves stabilise the rhythm, preventing collapse into overcrowding.

The border is drawn with a scalloped inner band, enclosing garlands of blossoms and vines. Corners are resolved with denser clusters, locking the rectangle into balance and ensuring the design frames the florals like a textile panel.

The Sabine palette sits on a pale ivory base framed by a deep black outer ground. Florals appear in dusty rose, muted blue, ochre, and olive, with the black border sharpening their contrast. This combination creates a bold yet archival character, making the design feel structured and formal while still botanical.

On Korean chiffon, the motifs stand crisp and high-contrast. On Soof modal, the dark border softens into a matte frame, while colours diffuse gently into the ivory ground for a quieter textile effect.

Printed Shawl

• Material: Cotton Modal 
• Dimension: 200 cm x 70 cm 
• Stitching: Baby Seam Role Hem

Printed Square

• Material: Cotton Silk
• Dimension: 114 cm by 114 cm 
• Stitching: Baby Seam Overlock