vidaXL Fotostudio-Set mit Lampen, Schirmen, Hintergrund & Reflektor
SKU: 1647586933

vidaXL Fotostudio-Set mit Lampen, Schirmen, Hintergrund & Reflektor

Sale price$99.00 Regular price$110.00
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Description

vidaXL Fotostudio-Set mit Lampen, Schirmen, Hintergrund & ReflektorDieses Fotostudio Set ist die ideale Wahl fr das Fotografieren im Studio oder vor Ort. Das Teleskop Hintergrundsystem ist in der Breite und Hhe verstellbar, um deinen unterschiedlichen Bedrfnissen gerecht zu werden. In Kombination mit der Kulisse ist sie ideal zum Fotografieren und Filmen. Durch die Verwendung von Tageslichtlampen mit einer Farbtemperatur von 5500 Kelvin ermglicht das Beleuchtung Set eine natrliche Aufnahme deines Motivs. Du kannst

Dieses Fotostudio-Set ist die ideale Wahl für das Fotografieren im Studio oder vor Ort. Das Teleskop-Hintergrundsystem ist in der Breite und Höhe verstellbar, um deinen unterschiedlichen Bedürfnissen gerecht zu werden. In Kombination mit der Kulisse ist sie ideal zum Fotografieren und Filmen. Durch die Verwendung von Tageslichtlampen mit einer Farbtemperatur von 5500 Kelvin ermöglicht das Beleuchtung-Set eine natürliche Aufnahme deines Motivs. Du kannst die Lampe auf einem Stativ befestigen und auf eine maximale Höhe von 230 cm einstellen. Die beiden weißen Schirme sorgen für weiches Licht, so dass harte Schatten vermieden werden. Außerdem hat das Stativ ein 1/4"-Gewinde (Standard) für alle analogen und digitalen Kameras. Das Reflektoren-Set umfasst einen runden 5-in-1-Reflektor und einen elliptischen 2-in-1-Reflektor. Jeder Reflektor ist mit verschiedenen Oberflächen ausgestattet. Du kannst mit verschiedenen Kombinationen für wärmeres oder kühleres Licht arbeiten. In der mitgelieferten Tragetasche lässt sich das Studio-Kit leicht verstauen und transportieren.

  • Beleuchtung-Set:
  • Lampe und Schirm:
  • Schirm-Durchmesser: 84 cm
  • Farbtemperatur: 5500 Kelvin
  • Lampenleistung: 24 Watt pro Lampe
  • Wirkleistung beträgt 100 W
  • Lampenfassung: E 27
  • Stativ:
  • Gewindegröße: 1/4"
  • Material: Aluminium
  • Höhenverstellbar von 78 bis 230 cm
  • Teleskop-Hintergrundsystem:
  • Farbe: Schwarz
  • Material: Aluminium
  • Stativ-Höhe: 75 - 210 cm (einstellbar)
  • Querstangen-Länge (zwischen den Stativen): 155-300 cm (einstellbar)
  • Hintergrund:
  • Farbe: Grün
  • Größe: 500 x 300 cm (L x B)
  • Material: 100 % Baumwolle
  • Farbecht
  • Geeignet für Chroma Key
  • Reflektoren-Set:
  • Farbe: Golden, Silbern, weiches Licht, Weiß, Schwarz
  • Material: Polyester, Stahl
  • Durchmesser des 5-in-1-Reflektors: 110 cm
  • Größe des 2-in-1-Reflektors: 1,5 x 1 m (B x H)
  • Inklusive 2 Aufbewahrungstaschen
  • Lieferung enthält:
  • 2 x Schirm
  • 4 x Stativ
  • 2 x Lampe
  • 2 x Querstange-Segment
  • 1 x Hintergrund
  • 1 x 5-in-1 Reflektor
  • 1 x 2-in-1-Reflektor
  • 2 x Tragetasche
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
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SKU: 1647586933

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4.2 ★★★★★
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A
Verified Purchase
Amazon Customer
Waukegan, US
★★★★★ 5
Five Stars
Format: Paperback
Why read Butler when we have Wittig?
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 27, 2017
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CK
Draper, US
★★★★★ 5
Five Stars
Format: Paperback
Great and thought-provoking!
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Reviewed in the United States on April 16, 2017
C
Verified Purchase
Chris Eldredge
Fort Morgan, US
★★★★★ 5
Five Stars
Format: Paperback
excellent sevice
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Reviewed in the United States on June 23, 2015
L
Lee Hall
Lexington, US
★★★★★ 5
Gem from a brilliant thinker.
Format: Paperback
This book will forever redefine feminism for its readers. There are two threads: one political, the other literary commentary. Fortunately, Witting pulls the former into the latter. The astute and radical political critique in Wittig's book is uniquely powerful. Wittig addresses the question of how a movement is comprised of both group energy and individual experience. The theory, legacy, and limits of Marx and Engels are discussed. Then, drawing on de Beauvoir and other iconoclasts, Wittig addresses our dominator culture in a way that goes directly to its core. Wittig deals efficiently yet persuasively with the argument over whether nature or culture is responsible for inequality, declaring that "there is no sex." This statement becomes the book's alpha and omega, and the lens through which Wittig shows us history, literature, and the future of activism. Like whiteness, maleness is a social category that can be renounced. Man (Homo) once meant everybody in the human community -- it was indeed generic, in the unifying sense. Unfortunately, the word has so frequently been used to describe a socially constructed group that expels half of itself in order to oppress it, "man" is now identified with those identified as male. In the essay "The Category of Sex" Wittig writes: "The perenniality of the sexes and the perenniality of slaves and masters proceed from the same belief, and, as there are no slaves without masters, there are no women without men. The ideology of sexual difference functions as censorship in our culture by masking, on the grounds of nature, the social opposition between man and women. Masculine/feminine, male/female are the categories which serve to conceal the fact that social differences always belong to an economic, political, ideological order. ...The masters explain and justify the established divisions as a result of natural differences." I understand that Wittig has recently passed away. If only I had discovered this book a little earlier, so that I could have met the author. That feeling, I suppose, is the sign of a truly good read. "A text by a minority author is only successful if it succeeds in making the minority point of view unviersal" writes Wittig --and to read this book from beginning to end is to find that the author has done just that.
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Reviewed in the United States on July 11, 2004
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monsieurw1
Battle Creek, US
★★★★★ 3
Partly still thought-provoking, partly dated
Format: Paperback
Dr. Wittig had so much anger, and had such a fight to fight. She seems excessive at times, or as though she is painting with such a broad brush, but writing such as this did win some important battles. No, things are not as dark as her wrath would suggest, or at least not anymore.
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Reviewed in the United States on October 4, 2013

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